I’ll Go Where You Want Me to Go

2-part Choir with Piano

I'll Go Where You Want Me to Go

Arranged for the Greeley, Colorado Stake Conference in January 2017, this approachable 2-part version of the beloved hymn is perfect for youth or adult choirs with limited rehearsal time.

The piano quotes the classic A. C. Smyth tune Dare to Do Right. This arrangement can work well for small or large groups. While the piece is notated for women on part 1 and men on part 2, it would work equally well with a 2-part men’s choir or a 2-part women’s choir. Part 2 has the melody throughout the piece, so adapting for different groups should be easy.

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Brightly Beams Our Father’s Mercy [TTBB]

Men’s Quartet (TTBB)

Philip Paul Bliss’s gorgeous hymn Brightly Beams our Father’s Mercy describes the Christian obligation to reflect the Savior’s light and help others find Him. This a cappella arrangement offers engaging, approachable variations on the theme of the basic men’s choir version in the LDS hymnal. This arrangement was written for an upcoming conference of the Greeley, Colorado Stake.

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Come, Thou Fount of Every Blessing [Vocal Solo]

Vocal Solo with Piano

Fount_solo

A beautiful standard in many Christian hymnals, Come, Thou Fount of Every Blessing is presented here in a dignified yet modern arrangement. This vocal solo is based on the choral arrangement available here.

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Baptism

Vocal solo with piano

capture-baptism

It has become a tradition in our family that I write a song when each child is baptized.  That tradition started with our nephew Brandon in 2007.  This piece, simply titled Baptism, is largely based on the promise described by the prophet Alma in the Book of Mormon: Continue reading Baptism

Brightly Beams Our Father’s Mercy [2-part]

2-part chorus (flexible) with piano and violin duet

screenshot.7

Philip Paul Bliss’s gorgeous hymn Brightly Beams our Father’s Mercy describes the Christian obligation to reflect the Savior’s light and help others find Him.  This new arrangement is simple enough to be sung by youth choirs, but it is beautiful and interesting enough for experienced choirs to use in Sunday meetings or special conferences.  This arrangement was written for an upcoming conference of the Greeley, Colorado Stake.

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